Coming Home to Old Ground and New Stories
I've settled in for the evening with a cup of coffee gone lukewarm because I got to thinking again. That happens a lot these days. My mind wanders, doubles back, takes the long way around. And I reckon that’s a fine way to learn.
People like to say learning is for the young. School desks. Fresh notebooks. Sharp pencils. But what they don’t tell you is how sweet learning can be when you come to it later in life—when you’re not chasing grades or proving anything to anybody. When you’re just curious.
For me, that curiosity led me right back home to Leeds.
I’ve lived a lot of years, worn a lot of hats, and traveled a fair stretch of road—but there’s something about learning the story of your own hometown that settles you. Leeds isn’t just where I grew up; it’s a place layered with iron, rail lines, creek water, and quiet perseverance. Turns out, I’d been walking past history my whole life without stopping to listen.
I started small. Reading. Asking questions. Standing still in places I used to rush past.
Take the Leeds Depot. For years it was just there—a building you noticed without noticing. But once I learned about the trains that rolled through, the people who waited there, the lives that arrived and departed on those rails, the place changed. It wasn’t quiet anymore. It hummed.
I also found myself drawn to the darker, half-forgotten places—the old coal mines scattered through the hills, the long-gone brick yard out at Lola City, and stories of the Red Diamond mines that once burned underground, smoldering for years like the land itself was holding its breath. These weren’t places you’d find on a postcard, but they mattered. Men worked there. Families depended on them. And even now, when you stand nearby, there’s a feeling that the ground remembers.
And those old rail tunnels—cut straight through Coosa Mountain and Oak Mountain—well, those got under my skin. Dark, cool, and patient. Dug by hand, by grit, by men whose names don’t always make it into books. You walk near those tunnels and you can feel the weight of time pressing in from all sides. They don’t ask for attention. They wait for it.
Learning about those places reminded me that history isn’t always neat or pretty—but it’s honest, and it’s ours.
The funny thing is, the more I learned, the more my imagination got restless.
Facts turned into questions.
Questions turned into what ifs.
And before I knew it, history had tipped me right over into storytelling.
I didn’t set out to write fiction. Not really. But late-life learning has a way of unlocking doors you didn’t even know were there. I found myself scribbling scenes instead of notes, characters instead of dates. Places like Leeds—its rails, its quarries, its quiet back roads—started asking to be remembered in a different way.
That curiosity turned into five published books. Five stories rooted in place, memory, and the unseen threads that connect people to land and to one another. And now, believe it or not, there’s a sixth one on the way. Still feels strange to say that out loud.
What I’ve learned from all this is simple:
Late-life learning isn’t about reinventing yourself. It’s about re-encountering yourself.
It’s about standing in a familiar place long enough to finally hear what it’s been trying to tell you all along.
So if you’re feeling that little nudge—toward local history, old photographs, forgotten buildings, or stories you’ve never tried to tell—lean into it. Take the slow road. Ask the questions. Sit with the answers.
You never know what might come walking out of the past to meet you.
